Egyptian film Mawlana tackles issue of religion and state
Egyptians walk past an advertisement featuring the Egyptian film Mawlana at a cinema in Cairo, on January 23rd. (Reuters)
2017/01/29 Issue: 91 Page: 22
Cairo - An Egyptian box office hit that highlights the religious establishment’s cosy relations with the state has provoked a backlash from Sunni Muslim clerics, with some calling for the film to be banned.
Adapted from a novel by prominent journalist Ibrahim Eissa, Mawlana — The Preacher — tells the story of a popular television preacher who struggles to reconcile his religious principles with demands and pressures from politicians and security agencies as well as human temptations.
Through the protagonist, a cleric from al-Azhar, Cairo’s 1,000-year-old centre of Islamic learning, the film lays bare the complex and troubling interplay between the state, religious establishment, mass media and Islamist extremism in Egypt.
The issue could not be more timely.
Egyptian President Abdel Fattah al-Sisi, a former army general, overthrew the Muslim Brotherhood government in 2013 and is still battling radical Islamists. The day after the film’s premiere, a suicide bomber killed 28 people in an attack claimed by the Islamic State (ISIS) on Cairo’s main Coptic Christian cathedral.
Clerics at al-Azhar responded angrily to the film, which they say tarnishes the image of establishment Islam just as it steps up efforts to rein in violent extremism.
“The film came out at a bad time. This is a time when people are asking to renew religious discourse and improve al-Azhar’s image. The film coming out now is very wrong. Even its title is problematic,” said Sameh Mohamed, a preacher at al-Azhar.
Mohamed said the film, in which the televangelist initially bends to the demands of senior officials before having a change of heart, paints clerics as unprincipled and state-controlled.
Film director Magdy Ahmed Ali begs to differ. “This is the perfect time for the film,” he said. “The army is fighting terrorism, extremism is on the rise and people are calling for a renewal of religious discourse.”
Sisi has made combating extremism a priority and assigned al-Azhar a central role in defending mainstream Islam. Egyptian courts have jailed thousands of Muslim Brotherhood followers during his rule.
Shortly after the military ousted the Brotherhood’s Muhammad Morsi from the presidency in 2013, the Religious Endowments Ministry fired 55,000 preachers not authorised by al-Azhar.
The preachers were accused of inciting violence, spreading extremist views or supporting the Brotherhood, the world’s oldest Islamist movement. The Brotherhood, which has been outlawed as a terrorist organisation, says it is peaceful.
Variety, the US entertainment trade paper, called the film “a forthright critique of corruption and fundamentalism” that was “certain to be one of the most discussed movies” in Egypt.
Mawlana is showing to packed houses in regular commercial cinemas, not just a few art houses in Cairo. It had taken in nearly $400,000 by its third week — a strong showing for a local film.
Apart from Sunni-Shia tensions, the film explores the origins and effects of sectarian tensions that have flared in recent years between Muslims and Christians. Egypt’s Copts are the largest Christian minority in the Middle East, making up about 10% of the country’s population.
In the film’s dramatic climax, a young man blows up a church. Life imitated art the day after its premiere with the suicide bomb attack on Cairo’s Saint Mark’s Cathedral, the seat of the Coptic papacy.
“Religion, with power, with money is a killer triangle,” Eissa, who helped adapt the script for cinema, said. “This triangle is responsible for all the intellectual, political and social decline we are in.”