Egypt museum pays tribute to cartoons

Egyptian artist Mohamed Abla


2018/01/07 Issue: 138 Page: 23


The Arab Weekly
Ahmed Megahid



Tunis, Egypt - An Egyptian artist is try­ing to make sure that the art of drawing cartoons, or caricatures as they are known in the Arab world, gets adequate recognition as a modern art form and secures its place as an important historical re­cord of its influence in Egypt.

Mohamed Abla, who once sought to become a professional cartoon­ist but is a prominent fine artist and sculptor, founded Egypt’s first mu­seum of cartoons.

The museum in Tunis, a village in the central province of Fayoum, boasts hundreds of cartoons, satiri­cally and artistically documenting almost everything that has hap­pened in Egypt in the past century.

“Some of the cartoons are among the first to be drawn in Egypt,” Abla said. “They would have been lost forever if they had not been exhib­ited here.”

Abla, originally fond of collecting stamps and rare coins, developed a passion for collecting cartoons more than two decades ago. He has collected hundreds of cartoons, some by Egypt’s most prominent cartoonists.

His museum is turning into a mecca for cartoon lovers and stu­dents from all parts of Egypt. Every day, dozens of cartoon lovers pack the museum’s halls to view the ex­hibits, which represent an honest if sometimes ironic take on the coun­try’s history.

Abla said his museum aimed to pay tribute to the hundreds of Egyp­tian cartoonists who are out of work or suffering due to tough financial conditions.

“To say the truth, cartooning is becoming the Cinderella of all jour­nalistic arts in this country,” said veteran cartoonist Mohammed al- Sabbagh. “Newspaper editors rarely take cartoonists very seriously.”

In Egypt, just as across the Arab world, most newspapers boast a daily cartoon or caricature taking an ironic or sarcastic look at a political or social situation. The cartoons of­ten get to the heart of an issue with few clean pen strokes in a way that even the most incisive editorial or well-researched investigation does not.

One of Egypt’s most widely read dailies, al-Akhbar, used to publish the famous Kafr al-Hanawdah car­toon on its second page every day.

The cartoon always depicted a farmer, wearing the traditional Egyptian jellabiya and addressing a government official, informing him of the main issue of the Egyptian people on a day-by-day basis.

Political cartoons have lost their lustre, however, and many daily newspapers no longer feature a car­toon and cartoonists are disappear­ing, too.

Newspaper editors, faced with ever-tightening budgets, have said they have no choice but to let car­toonists go. Some of Sabbagh’s colleagues have stopped drawing. Others have changed professions to earn a living.

Those conditions were in Abla’s mind when he turned the ground floor of his home into a cartoon museum. He opened the museum almost ten years ago. His persever­ance over the years has earned him one of the largest caricature collec­tions in the country.

Abla said he tried to land a job as a cartoonist in one of the local news­papers years ago but was unable to find work due to a lack of opportu­nities. Still, his commitment to cari­catures was undimmed.

“This is not about me but about the tight spot that drawing cartoons as an art is being pushed into,” Abla said.

Abla said increased scrutiny and a lack of appetite for political criti­cism and satire have sounded the death knell for cartoon drawing at a time when political cartoons are needed more than ever.

There are at least 16 journalists currently in Egypt’s jails, according to Reporters without Borders, an in­ternational NGO that defends free­dom of information and the press. Although none of those in jail are cartoonists, the situation in Egypt means that everyone in the media, including cartoonists and the edi­tors who hire them, must be cau­tious.

Abla’s museum has three main halls featuring exhibits that focus on various themes. One features cartoons that satirise economic conditions in Egypt. Another shows cartoons that mock the country’s politicians. A third features car­toons taking on social issues.

Many of the cartoons in the mu­seum are about political, economic and social conditions in Egypt at the beginning of the 20th century; oth­ers focus on current conditions.

Visitors to the museum pay 10 Egyptian pounds (56 US cents) to enter. Abla uses the fees to maintain the museum and pay for general up­keep.

“I have no support whatsoever, so this money is important to keep the place open,” Abla said.

The museum has many regular visitors who come every few weeks to see what new exhibits are on show. Abla changes exhibits every two days, meaning every visit is a new experience.

“This place is more than wonder­ful,” said Nagham Tawfiq, a fine arts student and frequent visitor to the museum. “Apart from being unique as a concept, the museum brings together some of the best cartoons drawn in the history of our coun­try.”

Dozens of people visit the muse­um every day, bringing Abla enough revenue to sustain the operation. He said the museum is currently op­erating at capacity and an influx of new visitors would be challenging.

“The more people visit the muse­um, the more money I need to keep it clean,” Abla said. “I only want to rescue the cartoons exhibited here from being lost forever at a time beautiful cartoons are becoming rare and cartooning as an art is close to extinction.”


Ahmed Meghid is an Egyptian reporter based in Cairo.


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